Atomos Sumo Director's Kit with Sumo M
The Atomos Sumo Director's Kit with Sumo M includes the Sumo 19" Monitor Recorder and the Sumo M 19" HDR Monitor from Atomos. While both the Sumo and the Sumo M feature 19" 1200 cd/m²-bright displays, the Sumo has the advantage of being able to record incoming HD and 4K video in Apple ProRes or Avid DNx codecs to an SSD. Having both the recorder and monitor units allows for flexibility. Bring the recorder unit on set to acquire your footage, and use the monitor unit at your edit suite for HDR grading and creating LUTs to use with the recorder on set. Check out the descriptions and features below for more information on the Sumo and Sumo M.
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Atomos Sumo 19" HDR/High Brightness Monitor Recorder
With its large, bright color-accurate 19" LCD screen and 4K recording capabilities, the Atomos Sumo can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats. All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, 12-bit raw recording over SDI is also possible, for more flexibility in post-production.
Back in the studio, the HDR capabilities of the Sumo are again beneficial; enabling editors and colorists to see deeper into the captured image information. The 10-bit image processing, combined with the 10-bit FRC capable LCD panel, shows subtle gradations in recorded footage whether playing back directly from recording media or from a connected computer. The display itself can be calibrated to maintain color accuracy over the Sumo's lifetime.
Use Cases
- On the DIT Cart
- Get HDR on set in real time with on-the-fly log to HDR and PQ (Perceptual Quantizer)/HLG (Hybrid Log-Gamma) playback, complete with mission-critical monitoring tools such as waveform, focus peaking, false color, and vectorscope on the calibrated screen. Beyond monitoring, with DCI 4K, UHD, 2K, and 1080p recording, you can generate instant dailies to readily available SSD media.
- 1st AC Monitor
- The large 19" panel gives focus pullers access to a high-quality HD image with focus assist tools such as peaking and 2:1/1:1 zoom. The robust aluminum-alloy chassis ensures that this monitor can be moved and reset for every shot during the production.
- Client/Director's Monitor
- Remap incoming flat-looking log footage to HDR for a more exciting and true-to-life preview of the footage. Full playback controls and XML file tagging means that a director can review footage and create an instant lightweight ProRes LT copy, with baked-in LUTs and audio, to the onboard SSD. You can choose to view both log and standard gamma images with or without looks applied, with quick toggling between them for ease of comparison.
- Studio Monitor
- In the studio, you can leverage the HDR capabilities of the Sumo for accurate monitoring. With a 10-stop dynamic range and 10-bit processing combined with X-Rite calibration, you can be sure that your color-corrected images will translate through the post-production pipeline.
Features
- Production-Grade Build Quality
- The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.
- Versatile I/O Options
- Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI (Quad 3G/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G-SDI outputs without the need for converters. HDMI 2.0 supports up to DCI 4K and UHD input and output, along with the very latest Atomos open protocol that supports HDR automation, including importing of camera settings. There is also support for Genlock and LTC timecode.
- High-Quality Recording
- Capture the raw data stream output from Sony's FS5, FS7, or FS700, Canon's C300 Mark II or C500, or Panasonic's VariCam LT over SDI up to 12-bit DCI 4K as Cinema DNG, 10-bit Apple ProRes, or 10-bit Avid DNxHR. The processing power of Sumo preserves pristine quality direct from the camera, with data rates up to 3.2 Gbps.
- Versatile Functionality
- Using multiple inputs, you can record and play back up to four HD video channels, live. Leveraging the Sumo's XML capabilities, you can switch and mix a live recording, and stream or record four HD ISO recordings. Switch between feeds on-screen with cueing, crossfade, and hard cuts from the locked sources, or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired result infinitely editable.
- Built-In XLR Audio
- Eliminate the need for a separate audio recorder by using the full-size XLR connections to connect and power external microphones, for balanced analog audio with dedicated meters and adjustments for frame delay and gain. Phantom powered (48V) mics and line-level audio are all seamlessly synchronized, so there's no need to match in post. There are also a 3.5mm stereo headphone jack and built-in speakers, for on set instant or playback review with clients or the production team.
- HDR Processing
- The Sumo's 19" 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/Rec 709 displays for on set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio.
- Daylight-Viewable LCD Screen
- The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.
- X-Rite Calibration
- Like many high-end video and computer monitors, the Sumo can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use X-Rite's separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.
- Continuous Power
- Dual 4-pin XLR inputs for power means that the Sumo can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the Sumo with power from V-Mount or Gold Mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.
UPC: 814164020817
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Atomos SUMO19M 19" HDR/High-Brightness Monitor
With its bright 1200 cd/m² panel and advanced AtomHDR processing, the Atomos SUMO19M 19" HDR/High-Brightness Monitor is designed to be instrumental in modern video workflows. On the rear panel, HDMI and SDI inputs can accept UHD and DCI 4K video signals. Depending on your workflow, both SDI and HDMI inputs can be cross converted to one another, allowing the SUMO19M to act as an interface between consumer-grade HDMI and professional SDI equipment.
On set, the SUMO19M can function as a director's or client monitor. LUTs imported from a separately available SSD installed on a Master Caddy (a single Master Caddy is included in the box) to display a look that can be referenced further down the production pipeline to the final output. If HDR is your goal, the AtomHDR processing uses the entire brightness range of the SUMO19M, allowing the entire latitude of log-encoded videos to be displayed without the washed-out colors or clipping that can sometimes be brought about by SDR (Standard Dynamic Rage) displays.
During post-production, the SUMO19M can function as a color-accurate studio monitor. Its ability to reproduce a wide color gamut allows you to master your footage for current SDR standards like REC. 709, and HDR standards like HLG and PQ, without having to switch displays. Clients can also view the content with a LUT to see a more pleasing image than what flat or log profiles usually provide. While on set, you may want to take advantage of the 1/4"-20 and 3/8"-16 mounting options provided around the panel. Two feet are included for desktop placement in your editing or grading suite.
Use Cases
- On the DIT Cart
- Get HDR on set in real time with on-the-fly log to HDR and PQ (Perceptual Quantizer)/HLG (Hybrid Log-Gamma) playback, complete with mission-critical monitoring tools such as waveform, focus peaking, false color, and vectorscope on the calibrated screen.
- Client/Director's Monitor
- Remap incoming flat-looking log footage to HDR for a more exciting and true-to-life preview of the footage. Compatible LUTs can be brought from Master Caddy media. You can choose to view both log and standard gamma images with or without looks applied, with quick toggling between them for ease of comparison. Images will pop off the bright 1200 cd/m² LCD panel, even in conditions with lots of ambient light.
- Studio Monitor
- In the studio, you can leverage the HDR capabilities of the Sumo for accurate monitoring. With a 10-stop dynamic range and 10-bit processing combined with X-Rite calibration, you can be sure that your color-corrected images will translate through the post-production pipeline.
Features
- Production-Grade Build Quality
- The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.
- Versatile I/O Options
- Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI. The SUMO19M accepts up to 4K at up to 60 fps, or HD at up to 240 fps over HDMI, or the dual SDI inputs. Additionally, there are dedicated input selection buttons on the user interface to make A/B comparison between sources simple and simultaneous HDMI and SDI output of the corresponding input for routing to other monitors, recorders, or switchers.
- HDR Processing
- The SUMO19M's 19" 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/REC. 709 displays for on-set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio.
- Daylight-Viewable LCD Screen
- The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.
- X-Rite Calibration
- Like many high-end video and computer monitors, the SUMO19M can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use X-Rite's separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.
- Continuous Power
- Dual 4-pin XLR inputs for power means that the SUMO19M can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the SUMO19M with power from V-Mount or Gold Mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.
Sumo19 Specifications
Weight
Without batteries, media & stand | 5.45kg / 12.0lb |
With stand | 6.0kg / 13.2lb |
Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
Construction | Aluminium alloy chassis with built in armor protection |
Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
Power
Operating power | 75W |
Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
Input voltage (battery) | 14.4V nominal |
Battery time | Depends on Watt Hours specification of battery used |
DC In | 1 x DC in (12 - 16.8V) |
Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
Touchscreen
Size | 19” |
Resolution | 1920 x 1200 |
PPI | 120 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10% @ center) |
HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
Video Input/Loop Out
HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video Output (Play Out)
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported Loop Out Formats
HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
Video Signal Conversion
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Supported Codecs & Frame Rates (Record & Playback)
Raw Record |
Sony FS5/FS7^^/FS700 CDNG 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100/120p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT CDNG 4K DCI; 24/25/30p 10/12 bit 4K UHD; 24/25/30p 10/12 bit 2K HD; 100/120p 10 bit 1080 HD; 100/120p 10 bit Arri Alexa Mini .ARI* 2880x1620; 24/25/30/50/60p 2880x2160; 24/25/30/50/60p |
Raw to ProRes / DNxHR |
Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50*/60p 2K DCI; 100/120/200/240p 1080 HD; 100/120/200/240p |
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; N/A 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p |
Onboard Processing
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio)
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
Headphone Out | 3.5mm |
Built-in Speakers | Yes |
Remote Start/Stop
HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback
Playlist / Genlock | Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
Recording
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
SUMO19M Specifications
Weight
Without batteries, media & stand | 5.35kg / 11.8lb |
With stand | 5.9kg / 13.0lb |
Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
Construction | Aluminium alloy chassis with built in armor protection |
Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
Power
Operating power | 75W |
Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
Input voltage (battery) | 14.4V nominal |
Battery time | Depends on Watt Hours specification of battery used |
DC In | 1 x DC in (12 - 16.8V) |
Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
Touchscreen
Size | 19” |
Resolution | 1920 x 1200 |
PPI | 120 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10% @ center) |
HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
Video Input/Loop Out
HDMI | 1 x HDMI (2.0) |
SDI | 2 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video Output (Play Out)
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported Loop Out Formats
HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
Video Signal Conversion
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |